Showing posts with label Bree Turner. Show all posts
Showing posts with label Bree Turner. Show all posts
I waited impatiently for the Grimm panel since last Thursday and as of yesterday at 5 pm, I finally had the pleasure of seeing that beautiful post-pregnancy glow on Claire Coffee (Adalind), the adorable nuttiness all over Silas Weir Mitchell (Monroe) and even Russell Hornsby had a strange giddy swagger about him. (Hornsby and wife Denise Walker just had a little boy, Walker, two weeks ago.) Although the panel I saw was edited, I couldn't help that the questions asked by both the moderator and the audience were a bit on the lukewarm side. It almost made me nervous about where the show is going considering my own fearful opinions. Sure, the questions asked were cute and expected with the giddiness of the impending Loch Ness Monster storyline, the lack of Juliette and Kelly, and of course the "Spoilers" teasing game of it all. In other words, the off season responses a fan would expect.


The truth is, with the ever growing phenomenon of Comic Con and the genre of fantasy/sci fi becoming very prominent in acting content, Grimm and the Grimm world should have every right to be lovingly nit picked. Who better to lovingly nitpick than me with my last two opinion pieces about the show? We all expect the cute young kids and young adults to ask about characters and make up logistics about Grimm or how magical and immersive SWM is as an actor and that's fine, but these are the questions I would have asked (in an imaginary world where I have the ability of confidence-ing)...

"I would like to ask a question considering the friendship of Nick and Monroe. In season 1 and 2 there was this fairly solid sense of masculine closeness, but now that there is basically this Grimm army, when, how, and will you [creators David Greenwalt and Jim Kouf, director/producer Norberto Barba] come back to that focus between the two characters?"



"Are there any early editing choices you [Greenwalt/Kouf/Barba] made to the show that you regret now? And if there are, would you want to rework them back into the show somehow?"

"Where do you [Greenwalt/Kouf/Barba/Coffee/Turner] think Grimm stands on the Bechdel scale? Do you think changing Juliette into a hexenbiest and the whole "hexenbitch" phenomena made where you are on the scale better or worse?"


"To Silas, I was wondering if in all of your magical Germanic-ness if you have more ideas of what you would want to bring to the show in terms of content and if they had not made it into Season 5, would you care to divulge future possibilities?"

"To Bree and Claire, as women where do you think Grimm ranks in terms of feminism both within the show and even in the broader genre of fantasy/sci fi? Do you think it could be better and how, either in terms of the writing or characters in general?

"David [Giuntoli], I thought you portrayed the duality between Grimm and cop brilliantly in the last few seasons just in terms of that pressure cooking acting. Now that it is no secret (and this also goes to the producers), what other aspects of the character will be his internal war now outside of all of the loss and bitterness or will that be the only highlights of who Nick is as a character? Where does his darkness go from here? Will things get psychologically worse before it gets better, if at all?"

"Not to throw out episode ideas which I'm sure you [Kouf/Greenwalt/Barba] hear plenty of, but what do you think about a first-Wesen account (as it were) of experiencing the Grimm-ness in Nick's eyes? Or do you think it's frightening alone just from hearing it from other characters or even just to divulge the unseen just once? 

"Claire, now that Adalind is insistent on being a better mother to Baby-Grimm now that Diana is gone, do you think she will lose her autonomy as a woman losing herself into the role of a mother? Now that Adalind has been weakened throughout the show in more ways than one, do you think she will jump back into some aspect of her old self at some point? What would you like to see paralleled or differentiated from her experiences as a daughter to an emotionally abusive mother to her own role as a mother? Do you think she can or will rise above her [mother-daughter issue] genetics?"

"Sasha [Roiz], producers, speculate with me. I know that you said that the royal storyline will be put aside for a bit, but now that the King is dead, do you think Mia Gaudot will be back to make a power play? Will we also see just a tiny ounce of Sean's backstory, just a teeny bit?"

"Russell [Hornsby], you seriously crushed it in that tent scene during the "Mishipeshu" episode, is there more impending scenery chewing to expect from you in the next season? What would you like to have happen to Hank outside of being a friend/extension of Nick?"


BONUS! My new favorite person and one of the many in the current running to be my spirit animal, Yael Tygiel interviewed cast and crew for my favorite podcast, Afterbuzz TV. Check out this magic-ness. (Click on the playlist button for the others)


Warning: Spoilers Included


One Night Stand
(Season 3, Episode 4)
 
 
When multiple drownings have occurred in Portland, Nick and Hank stumble on a new type of Wesen of the mermaid kind with vicious male counterparts. Rosalee starts to move into Monroe's place. Renard discovers who the royal baby's birth mother is. Juliette finds a curious email in Nick's inbox with the signature M.
 
Literature Used: The Little Mermaid
 
Wesen Featured: Blutbad (werewolf), Fuchsbau (fox), Half-Zauberbieste (warlock), Naiad (mermaid)

Best Quotes:

Jake: I just -- she came over and she just wasn't... normal.
Nick: Nobody is, Jake. it's Portland.

Best Moments:

Rosalee allowing Monroe to leave her to unpacking her stuff and to go to the trailer with the boys.

Elly swimming in Jake's swimming pool then woges in front of him.

Nick doing his own Grimm woge-ing in front of Hank after pulling Elly out of the water.


The Stories We Tell Our Young
(Season 3, Episode 6)
 
Renard leaves for Vienna for a Resistance meeting and ends up being hunted by his family. Back in Portland, Nick and Hank's latest case involves a child that has a Wesen-like virus that is very deadly to the species. Rosalee feels the duty to report the virus case to the council despite her friendship to Nick and Monroe who are against it. Juliette delves deeper into Nick's job as a Grimm. Adalind meets Eric's brother.
 
Literature Used: Inuit mythology
 
Wesen Featured: Blutbad (werewolf), fuchsbau (fox), Half-Zauberbieste (warlock), Hundjager (hound dog), Pflichttreue (panther)
 
Best Quotes:
 
Monroe: So I guess it's time for the "Birds and the whole Bienen-Wesen" talk.
 
Nick: I like to think we live in an enlightened age. Where fear does not drive belief. That's the truth behind the fear.
Alexander: Fear is not an easy thing to change.
Nick: Try
 
Best Moments:



Every time Renard turns into an action star and starts killing people.

The medical treatment scene in the little boy's outside fort.


Twelve Days of Krampus
(Season 3, Episode 8)
 
A Santa-like Wesen is terrorizing troublemaking teenaged children and it's up to Nick, Hank, Bud and Monroe to stop it. Over in Vienna, Renard is continued to be pursued by the Verrat as he insists that the Grimm he has will help them defeat the seven royal families despite their distrust in him for being half-royal. Monroe enlists Juliette to help him surprise Rosalee with the way he celebrates and decorates for Christmas but ends up falling flat on his face in the process as Rosalee's depressing history unfolds a little more. Renard leaves Adalind a message.
 
Literature Used: O Tannenbaum
 
 
Wesen Featured: Blutbad (werewolf), Fuchsbau (fox), Half-Zauberbieste (Warlock), Krampus (anti-Santa sheep-like Wesen),  Eisbiber (beaver), Schakal (jackal), Hundjager (hound dog)
 
Best Quotes:
 
Monroe: You know, I've got a lot going on today. Gotta get these jobs out before Christmas, because you know, clock repairs. Need to be timely.
Rosalee: Is that a clock joke?
Monroe: Just a tiny one. Sorry, I heard it second-hand.
Rosalee: Yikes. I'm leaving before you can think of anymore.
 
Wu: Don't worry, I'm not going to give you crap about arresting Santa Claus in front of a bunch of children. But I wouldn't expect under the tree this year.
 
Hank: You picking anything up?
Monroe: I got nothing. Except the smell of fear on Bud.
 
Renard: I am royal and I can be a bastard.
 
Wu: Besides the red suit and the black boots, he looked like something out of... and I quote "my worst drug crazed, acid induced, flashback nightmare."
 
Juliette: "You arrested Santa?"
 
Best Moments:
 
Interaction between Juliette and Monroe as they decorate his home.
 
Nick beating up on a Schakal posing as a Santa as on-lookers stand there doing nothing but recording the incident on their phones.
 
Girl talk between Juliette and Rosalee.
 
Nick getting choked by Krampus's rope and not being affected (except for a little CGI-tinting of his skin)
 
When Rosalee leaves out a beer and cigar for Santa.

this.
 
Eyes of the Beholder
(Season 3, Episode 10)
 
 
Hank's physical therapist and crush is involved in a current case involving street gangs and her younger brother whom she is raising. Juliette is feeling more awkward around her college room mate after discovering she's Wesen and seeks out advice from Rosalee on what she should do. Alicia's boyfriend makes a move to take her home but results in Juliette defending her best friend.
 
Literature: The Merchant of Venice
 
Wesen Featured: Blutbad (werewolf), Fuchsbau (fox), Half-Zauberbiest (warlock), Klaustreich (alley cat), Yaguarate (jaguar)
 
Best Quotes:
 
Nick: That's quite a way to send a message. Cutting off the head of a serpent.
Monroe: Or in this case, the head of the Yaguarate (Nick and Hank stare) Serpent's good.
 
Monroe: I'm glad you're not perfect.
Rosalee: Who says I'm not perfect?
Monroe: Not me.
 
Rosalee: You have to play more often. Got any more?
Monroe: I do, I do. I have a Mozart, a Bach, a very nice Brahms. And I got a Rimsky-Korsakov from Scheherazade that'll knock your babushka off.
Rosalee: Oh, the babushka one.
 
Best Moments:
 
Hank and Zuri looking very toasty towards each other.
 
Monroe playing his cello again!!!
 
Juliette kicking her best friend's abusive boyfriend's ass.
 
Hank playing video games with Zuri's little brother.
 
Mommy Dearest
(Season 3, Episode 14)
 
As Prince Victor's men close in, Adalind gives birth to Sean's daughter and gets her powers back. [Drew] Wu comes in contact with his first Wesen that feeds on his childhood best friend's womb fluid and it's only the question if Hank and Nick should tell him he's not crazy.

 
Literature: Legend of Gello/Asswang
 
Wesen Featured: Blutbad (werewolf), Fuchsbau (fox), Half-Zauberbiest (warlock), Hexenbiest (witch), Asswang
 
Best Quotes:

Drew Wu: "Sometimes my cat gets mad at me, and all she needs is a belly rub."
 
Best Moments:
 
Wu seeing his first Wesen, finally being addressed by his first name (Spoilers... it's Drew), and overall being amazing showing he is devoted and maybe a little in love with Dana. And even his choice in going straight to a psych ward. Everything Drew Wu!
 
 
The Law of Sacrifice
(Season 3, Episode 18)
 
 
Prince Viktor and the Verrat are on the hunt for Adalind and her child and closing in even tighter. Immediately, the whole Grimm gang has no choice but to help Adalind as **spoiler** Diana's **spoiler** life continues to be in danger as long as she is with her mother. It only ends in heartbreak.
 
Literature: Rumpelstiltskin
 
Wesen Featured: Hexenbiest (Witch), Half-Zauberbiest (Warlock), Blutbad (werewolf) Fuchsbau (fox)
 
Best Quotes:
 
Wu: (pronouncing Viktor's long full name) "I may have inadvertently dropped a -berg or a -dorf or two."

Monroe: "How was my German?"
Hank: "I believe him."
Monroe: "But you don't speak German."
 
Best Moments: Adalind in the street discovering Sean took her baby from her and her hexenbiest powers break a million car windows.
 
The stand off between Prince Viktor and Sean.
 
Everything Sean this episode: the pain in his face realizing he has a child, when he has to give her up and **spoiler** the compassion in his face knowing he has to live without his daughter..
 
 
 The Inheritance
(Season 3, Episode 21)
 
A dying Grimm travels all the way to Portland from Philadelphia to give Nick his trunk of Grimm weapons including... dun dun dun, a second key much against the Grimm's son's behest. Rosalee starts to feel anxiety over the wedding as Adalind finally puts her plans to destroy Nick into action.
 
Literature: The Water of Life
 
Wesen Featured: Blutbad (werewolf), Fuchsbau (fox), Half-Zauberbiest (warlock), Hexenbiest (witch), Hundjager (hound dog)
 
Best Quotes:
 
Rosalee: "It's just all gotten so overwhelming."
Monroe: "Honey, it's a wedding. It's supposed to be overwhelming; to keep you from doing this more than once."
Rosalee: "I just... I have this feeling something awful is going to happen."
Monroe: "That's the spirit."
 
Trubel: "What's up with this key he keeps talking about?"
Nick: "It's along story. It has to do with the Crusades and a bunch of knights who were Grimms who found something they thought no one else should have, so they buried it in the Black Forest and made a bunch of keys that had a map that supposedly leads to where it is. Is that enough?
Trubel: "Good enough for now."
 
Monroe: "Well we're one key closer to god knows what"
Rosalee: "I don't think we'll ever know."
Josh: "I don't think I want to know. But at least now I know my Dad wasn't crazy; unless all of you are."
(everyone looks at each other)
 
Best Moments:
 
 Trubel admitting she was almost raped and attacked by a Wesen.

The magical deviance all over Alexis Denisof's (Prince Viktor) sexy mug.

Not necessarily a best moment but the freakish moment where Hank almost legitimately got ran over by a member of the Verrat. That was extremely close for a TV show!

Everything about that fight with the Verrat members -- possibly the most intense fight in Grimm history.